★ 4 / 10
Probably Not High on Meg Ryan's CV
After the somewhat controversial second Amityville movie, it was perhaps a surprise another sequel followed so quickly, but there was a 3D trend to jump on, so…
After the somewhat controversial second Amityville movie, it was perhaps a surprise another sequel followed so quickly, but there was a 3D trend to jump on, so off we go!It's actually quite a novel setup, following reporter John Baxter (Tony Roberts) who, along with a team including Parapsychologist Dr West (Robert Joy) specialises in uncovering paranormal hoaxes. The movie opens with him exposing a fake in the Amityville house, leading to the tenants being evicted and the house empty. As such the realtor (John Harkins) offers him the place for peanuts, and being a professional sceptic the house's nasty reputation doesn't phase him. As spooky incidents in and around the property pile up, will he maintain his defiance? And what is with that spooky well in the basement?I liked the setup, it certainly makes a slight change from the previous two entries protagonist families. One thing I find interesting about the Amityville series is how no 2 movies feel the same, but unfortunately the one unifying factor between the first 3 is how disjointed they feel. This starts off better, but quickly falls into the familiar trap, with Baxter's teenage daughter Susan (Lori Loughlin) and her friend Lisa (Meg Ryan) briefly seeming to take centre stage. Even the deaths in the movie have no real 'theme' or logic - the car death is 1. Nonsensical 2. Nowhere near the house. We briefly lurch into Poltergeist-esque territory at one stage before an ending that makes no real sense, but does feature a pretty cool looking demon.In terms of acting, it's a step up from part 2, I mean I've seen a lot of the cast in other movies, and most of them are at least workable. I doubt Meg Ryan talks about this one much.In the pantheon of Amityville movies, I actually find this one of the more enjoyable entries. That's a liberal use of 'enjoyable' though as a lot of these movies are dreadful. This one is watchable, though I'm not sure I'd go as far as recommending it.
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★ 5 / 10
Some-things will remain infamous.
lost-in-limbo
After watching 'Possession' (which was surprisingly decent), I prepared to watch the second sequel of the franchise and this one was a little lacking. The big…
After watching 'Possession' (which was surprisingly decent), I prepared to watch the second sequel of the franchise and this one was a little lacking. The big draw cards were obvious
the novelty of 3D effects (which seemed to be a big thing around this period) and at the time a virtually unknown Meg Ryan. Well too bad I wasn't watching it in 3D and Ryan (while memorable) is quite lesser character to the scheme of things. So what's there to like? Hard to really pin point, as when you try to draw good points, there's something else to counter-balance it.The story is kind of interesting (with it's scientific and skeptical reactions with a talkative script); but remains quite disjointed (made of set-pieces and ideas we've seen all before) and the lack of total cohesion becomes quite stodgy. By the end it doesn't show faith in its cluttered story becoming unsatisfying and succumbing to cheesiness (lookout for eccentrically unexplainable climax dogged with dodgy effects), after slowly grinding away with well placed touches of suspense and jolts. But it didn't entirely have the venom in its shocks, but an unnerving atmosphere still engulfed the Amityville house and the stormy score erratically punched the cues. A respectable cast featuring the likes of Tony Roberts, Candy Clark, Tess Harper and Robert Joy work their butts off to invoke something out their characters, but no one is terribly likable
with maybe the exception of Clark's character. Director Richard Fleischer (who has some fine films behind him) never draws anything in the way of style or suffocation through an effective backdrop, instead letting a downbeat vibe grow and the execution for most part is plainly devised.Re-cycled and blotchy, but mildly amusing haunted house enterprise.
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4.2/10
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