Absence of Malice

1981

Action / Drama / Romance / Thriller

19
Rotten Tomatoes Critics - Certified Fresh 82% · 28 reviews
Rotten Tomatoes Audience - Upright 64% · 2.5K ratings
IMDb Rating 6.9/10 10 16780 16.8K

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Plot summary

Megan Carter is a reporter duped into running an untrue story on Michael Gallagher, a suspected racketeer. He has an alibi for the time his crime was allegedly committed—but it involves an innocent party. When he tells Carter the truth and the newspaper runs it, tragedy follows, forcing Carter to face up to the responsibilities of her job when she is confronted by Gallagher.

Director

Top cast

Bill Hindman as Priest
Ilse Earl as Nun
Sally Field as Megan
William Kerwin as Walker
720p.BLU 1080p.BLU
1.04 GB
1280*694
English 2.0
PG
Subtitles us  
23.976 fps
1 hr 56 min
Seeds 7
1.94 GB
1920*1040
English 2.0
PG
Subtitles us  
23.976 fps
1 hr 56 min
Seeds 19

Movie Reviews

Reviewed by Peter McGinn 9 / 10

Sidney Pollack has directed a lot of excellent

Sidney Pollack has directed a lot of excellent movies but Absence of Malice, one of his lower profile efforts, is my favorite Pollack film. Paul Newman is excellent, of course, and Sally Fields holds her own portraying a reporter who is both ambitious and caring. The supporting cast is also good, especially the late Wilford Brimley as the razor sharp tobacco chewing “aw shucks“ Officer of the court late in the movie. In a way, this is a thinking man’s revenge film, without the violence. The Paul Newman character attempts to use the ambition and the zeal of those who have targeted him against them. There are traces of humor to be found also, and pockets of romance. I have watched it a few times and probably will again.
Reviewed by Lejink 7 / 10

Requiem for two heavyweights...

I taped this lauded 80's movie months ago and prompted by the recent death of Paul Newman, finally made time to watch it, only realising as I did so that its director too, Sydney Pollack, has also lately taken his last bow. The film is about the corrupting power of trial by newspaper to damage and sometimes destroy innocent lives and in this particular case of one man's courage and ingenuity in fighting back, even for what seems in the end a Pyrrhic victory against his malefactors. Pollack's favoured ouevre certainly seemed to be contemporary thrillers, often positing a faceless establishment body, personified by dehumanised no-names and their usually destructive oppression of innocent individuals. Although dated by things like contemporary fashions and background music, (no-one surely can defend this era for its style and music!) these films (and there were loads of them in the mid 70's and early 80's - "All the President's Men", "Dog Day Afternoon", "The Verdict", to name but a few, often directed by the two Sydneys, Pollack and Lumet, and peopled by acting heavyweights like Pacino, Redford, Newman, Winger and Fonda) represent a largely neglected sub-genre of quality movie-making rarely seen today. The film at hand here, "Absence of Malice" occasionally lacks narrative drive and suspense but makes up for that with everyday realism, for example drawing in themes on disparate subjects like abortion and trade-union relations. With Pollack's usual high-standard cinematography, particularly his naturally-lit interiors and indeed exteriors, you always feel that this fictional story could actually be happening here and now. It's helped by good dialogue and the skills of the ensemble acting cast. Newman walks away with the acting plaudits, effortlessly drawing the viewer's sympathy and admiration although I was very impressed by Melinda Dillon's underplaying of her part as Newman's "close personal friend", caught in the cross-fire and also Wilford Brimley's cameo as the State Department official who effectively acts as judge and jury at the mini-courtroom climax. Sally Field, who was briefly, at this time, the it-girl for modern-day character parts, lacks some heft alongside the predominantly male cast and at times plays the part more like Jean Arthur than Faye Dunaway. You can also see her acting at key points, particularly in the scene when Newman loses his temper and almost assaults her. Despite a brief (perhaps unnecessary) romantic liaison between the two leads, the film ends satisfyingly with an enigmatic shot of Newman sailing (literally) into the sunset leaving a chastened Field behind. In conclusion then, an intelligent, thought-provoking, well-structured and plotted movie, its main theme still relevant today in tabloid-land.
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