A Woman Under the Influence (1974) YTS

Reviewed by CinemaSerf 7 / 10

“Mabel” (Gena Rowlands) and husband “Nick” (Peter Falk)

“Mabel” (Gena Rowlands) and husband “Nick” (Peter Falk) are happily enough married. He leads a construction team whilst she tries to cope with their three children. “Mabel” definitely burns the candle at both ends. She wishes to come across as a loving mother and wife whilst presenting a life and soul of the party image designed to ensure that all around her are happy. “Nick” knows, however, that many of their friends think her enthusiasm is symptomatic of something more sinister and that just perhaps she might be losing her grip. Gradually, both her husband and this film’s audience start to realise that “Mabel” is on the precipice of something traumatic, and that something will have to be done - a decision that is hastened by an example of recklessness that “Nick” knows he cannot afford to ignore. His solution may well help his wife to get proper medical assessment, diagnosis and to hopefully recover - but it also leaves him trying to juggle his business responsibilities as well as looking after three stroppy and independently-minded youngsters. With his own stress levels increasing and the return of his wife soon looming, the atmosphere reaches a crescendo of temperamental toxicity that involves family and friends alike. The casting of both Rowlands and Falk is inspired, here, She turns in as visceral a performance as you’re ever likely see as she treads an increasingly blurred line between sanity and an illness that all can see coming but her. Meantime, Falk delivers strongly as his character treads a similarly delicate path that sees conflict between love, loyalty and necessity present itself to man whose own grasp on sanity is sorely tested, too. It is also worth noting that the bairns also contribute powerfully here, too. What is distinctly unnerving about this movie is the way in which we are sucked into the plot. So often the photography is intimate and intense, but at other times it seems more designed to support our own more distant, fly-on-the-wall location on the sidelines - yet we never feel that we have missed anything. Suffice to say that there could be a great many “children” here, and they are not all in short pants nor necessarily on the celluloid either. It has moments of humour to it, either deliberately or as a technique from “Nick” to attempt to defuse the increasingly frenzied scenarios “Mabel” is constructing and by the end of this, I felt a degree of uncomfortable exhaustion. This isn’t an easy watch but it’s worth it.

Reviewed by gbill-74877 9 / 10

Brilliant

"Dad ... will you stand up for me?"Oh my goodness, Gena Rowland in this. She's brilliant. Peter Falk too. I love how Cassavetes just immersed us into their lives and let us gradually understand their issues through their behavior, instead of explaining everything in that tidy way of conventional Hollywood. We see Rowland's character acting awkwardly, oblivious to social cues, or dissociating from reality entirely, but we also see a caring person being crushed by pressure, and cowed by her husband. We see Falk's character being patient and understanding of his wife's idiosyncrasies, and we also see him prone to violent outbursts, and piss-poor parenting. He regularly defaults to trying to yell and force things, like when he bellows "We're having a good time!" after dragging his kids and a co-worker out to a beach. The kids' instinctive reaction to what's going around them is heartbreaking, like when the adorable little girl runs to the other man on the beach, or they all try to protect their mom after she's been released from the mental hospital.What's remarkable is that none of these characters has been transformed over the course of the story, though the viewer might be in some small way, after having witnessed such powerful performances of vulnerable, flawed characters. What an interesting title too. What is Rowlands' character under the influence of? Not alcohol, as the opening scene might suggest. A condition that threatens her sanity? Her domineering husband? The pressures of society to be a good wife and mother? How telling is that early on she says to her husband "Tell me what you want me to - how you want me to be," and that late in the film he tries to command her by saying "Be yourself!" when it seems that when she is being herself, she isn't accepted as "normal" by her husband or his co-workers. Meanwhile, the husband's erratic, dangerous behavior is par for the course, unquestioned, and certainly not about to be shipped off for ECT. There is thus a certain feminism at the bottom of this film which is fascinating, in light of such an unlikely protagonist.

Reviewed by

A Woman Under the Influence

1974

Action / Drama / Romance

A Woman Under the Influence

1974

Action / Drama / Romance

Please enable your VPΝ when downloading torrents

Plot summary

Director

Top cast

Tech specs

Movie Reviews

“Mabel” (Gena Rowlands) and husband “Nick” (Peter Falk)

Brilliant

9 Comments