★ 8 / 10
The agony of the moral high ground. Fred
John Chard
The agony of the moral high ground. Fred Zinnemann directs and Robert Bolt adapts the screenplay from his own play. It stars Paul Scofield, Wendy Hiller, Leo…
The agony of the moral high ground.
Fred Zinnemann directs and Robert Bolt adapts the screenplay from his own play. It stars Paul Scofield, Wendy Hiller, Leo McKern, Robert Shaw, Orson Welles, Susannah York, Nigel Davenport and John Hurt. Music is by Georges Delerue and cinematography by Ted Moore. Plot has Scofield as Sir Thomas More, the man who refused to cede to the mighty machinations of King Henry VIII (Shaw).
It's very much an actors movie, beautifully literate and costumed and photographed up to the nines. So not one for those more keen on the action orientated historical epic, then! The story is thriving on the anguish of Thomas More, who is torn between loyalty to his King and his own moral beliefs, the beliefs of his religion system and the potential damning of his soul. The political and religious machinations positively pulse throughout, vividly brought to life by a cast of great thespians (Scofield is as great as you have heard).
Great credit has to go to Zinneman, one of the deserved recipients of the 6 Oscars the film garnered. He never lets the cast run away with things, no chewing the scenery or smell the fart acting, he keeps them in check and they respond by providing an utterly fascinating and compelling historical saga. But most of all, with all the royal pomp on show, it's the intelligence of the writing that shines brightest. The dialogue via the sharp script throws cloaks of suspicion over everything being played out. Religion and politics, huh, it's for the birds.
Top film making. 8/10
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★ 7 / 10
Paul Scofield is superb as the Lord Chancellor
CinemaSerf
Paul Scofield is superb as the Lord Chancellor of England ultimately torn between his loyalty to his king and to his conscience. As Henry VIII (Robert Shaw)…
Paul Scofield is superb as the Lord Chancellor of England ultimately torn between his loyalty to his king and to his conscience. As Henry VIII (Robert Shaw) becomes more and more infatuated by Anne Boleyn (Vanessa Redgrave) he insists that all of his subjects acknowledge his absolute supremacy over the church. Most, fearful for their lives and property, acquiesce but Sir Thomas More (Scofield) cannot. The King has long relied on the honest counsel of his friend as so initially is content to allow him to retire, but soon those conspiring against More use everything at their disposal to bring him to ruin. Wendy Hiller sensitively portrays his stoic wife desperate to save her husband from the scaffold but cognisant of his overwhelming sense of right and wrong. Leo McKern also stands out as his scheming successor Thomas Cromwell and there is a cameo from Orson Welles as the clearly out-of-favour Cardinal Wolsey. Robert Bolt adapts his own stage play without compromising the genuine sentiment of his original work - fear, honesty, integrity and power - making this a thought-provoking watch from Fred Zinnemann.
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★ 9 / 10
Definitely worth watching every single season
bsinc
If on occasions I babbled about some actor's performance being the best I've ever seen it was just because I hadn't seen "A Man For All Seasons". Well, up…
If on occasions I babbled about some actor's performance being the best I've ever seen it was just because I hadn't seen "A Man For All Seasons". Well, up until today. And I definitely won't be that quickly amazed and impressed by a performance again. May I just say that Paul Scofield embodies great acting to it's very core. Comprehending his masterful and skillful acting is evident even to the greatest fool or layman and I (not being a big expert myself) could not believe how a man can attain such knowledge of perfection. His every word is spoken with the greatest skill, intonation and accent as well as his facial expressions and movements. His performance is so strong it's scary when I think about it. As if he knew(and he most definitely did!) EXACTLY how to perform his acting task. This movie is an explosion of outstanding acting and actors, showing their skills to the fullest and to the amazed viewers. It may well be the greatest movie ever made, but the reason for this lies also in the jaw dropping and mind opening script that deserves more credit than it could have ever gotten. If you thought "On The Waterfront", "Bridge On The River Kwai", "Glennary Glen Ross" or even "The Usual Suspects" or "Pulp Fiction" had some great dialogs then this inspiring and simply amazing script will definitely change your mind. There are so many memorable lines, monologues and great battling dialogs I can't even give an approximate number. Every moment is meaningful and the movie is full of smart and important thoughts. I won't go into the story, because as a previous commenter said, there are just too many points of view and meanings to it, but I will say this; Sir Thomas More was too moral and too strong to give in to the Church, and because of his reasons he was respected. But because he was, for some, this stubborn, he paid the price which in the real world when you play with the big boys, is a given. A movie every future actor, actress, director and screen writer should and must see and a movie that makes most of the later Oscar winners for best picture look like a joke. And a final though, Leonard Maltin was absolutely right; if Paul Scofield acted only in this movie he'd still be remembered as a marvel worth every praise and respect. 9/10
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89%
TOMATOMETER
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87%
AUDIENCE
· 5K ratings
7.7/10
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talk about engaging! I was on the edge of my seat over the tense dialog!