A Man Called Sledge

1970

Action / Western

8
Rotten Tomatoes Audience - Spilled 48% · 100 ratings
IMDb Rating 5.9/10 10 1750 1.8K

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Plot summary

James Garner is Luther Sledge, the leader of a pack of rebels who are planning to steal a stash of gold. But after the thieves actually manage to get away with the bounty, they soon discover that the enemy lies within their midst. As they begin to bicker over who should get the biggest cut, the stage is set for a deadly showdown. Claude Akins and John Marley co-star in this Italian Western directed by Vic Morrow.

Director

Top cast

Remo De Angelis as Poker Player
John Marley as Old Man
Lorenzo Piani as Guthrie
Riccardo Garrone as The Warden
720p.BLU 1080p.BLU
647.63 MB
1280*534
English 2.0
R
23.976 fps
1 hr 33 min
Seeds 2
1.37 GB
1920*800
English 2.0
R
23.976 fps
1 hr 33 min
Seeds 4

Movie Reviews

Reviewed by John Chard 8 / 10

Luther Sledge. A Man Called Sledge is directed

Luther Sledge. A Man Called Sledge is directed by Vic Morrow and Morrow co-writes the screenplay with Frank Kowalski. It stars James Garner, Dennis Weaver, Claude Akins, John Marley, Laura Antonelli, Wayde Preston and Ken Clarke. Music is by Gianni Ferrio and cinematography by Luigi Kuveiller. Luther Sledge (Garner) is a wanted outlaw who upon hearing about a huge gold shipment stored in a prison, promptly assembles his gang and sets about executing a daring robbery. A Pasta Western filmed in Technicolor/Techniscope out of Andalucia in Spain, A Man Called Sledge is a most interesting and entertaining addition to this splinter of Westerns. From the off we are in no doubt that Garner is serving up a character not of his normal portrayal varieties, here he's not heroic, all American or a lovable rogue, he's a bad egg, gruff, rough and tough, and driven by law breaking activities. Added into the mix is a rather cheeky premise, that of gold being stored in a working prison, which is naturally heavily fortified, protected and seemingly impossible to breach, but Sledge and his cohorts have other ideas that gives the narrative and dramatic drive much strength. You couldn't take it with a pope! In spite of the odd flecks of humour, such as a terrific organ sequence and Akins' constant cynical asides (both orally and visually), pic is grim in texture, there will be blood and the unfurling of other hateful human traits. Morrow knows his Pasta Oaters, both as regards visual ticks and via characterisations. So we get camera zooms, low level up-tilts and spins, while the characters range from the foolish to the greedy - to the twitchy and the dumb - and even a howling man! The story plays out through differing back drops, be it a snow storm, an arid landscape or a sweaty bar - not least the imposing prison at the centre of the plot - Morrow is taking his story through visual variations. I would have died for you Sledge! There are a number of great scenes to enjoy, usually where action is concerned, not least the quite exhilarating show-piece involving a jailbreak, where here we are treated to top stunt work as dynamite and a Gatling Gun join the usual bullets and blood carnage. Cards are a big feature, as are crosses - cum - crucifixes, the latter providing some striking (and scary) imagery. While all the time Ferrio's varied musical score hits all the right Pasta Western notes. Hell! even the irritating theme song is hauntingly chaotic and thus fitting once the pic reaches its denouement. With the mostly American cast turning in good perfs, and Morrow proving deft at genre compliance, this is very much an under valued pic and worthy of either seeking out for a first time view or for reevaluation purpose. 7.5/10
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Reviewed by Woodyanders 8 / 10

A solid and satisfying Western

Ruthless outlaw Luther Sledge (a splendidly nasty performance by James Garner in a rare change-of-pace full-blooded villain role) and his band of thieves try to figure out a way to steal a fortune in gold that's stored in a prison fortress. Sledge concocts a bold plan to get said fortune, but can he and his men successfully pull off this daring caper? Director Vic Morrow, who also co-wrote the tight and hard-hitting script with Frank Kowalski, relates the absorbing story at a steady pace, delivers a vivid and credible evocation of the 18th century period setting, ably creates and maintains a resolutely tough, gritty, no-nonsense tone throughout, and stages the thrilling shoot-outs with real rip-snorting aplomb. The robbery itself is an expertly executed set piece: tense, gripping, and extremely exciting. This film really hits its stride with an especially dark and harsh last third in which Sledge's carefully thought out plan is undone by greed and treachery. The sturdy acting from the sound cast qualifies as another major asset, with stand-out contributions by Laura Antonelli as Sledge's loyal and worried main squeeze Ria, Dennis Weaver as the laid-back, pragmatic Erwin Ward, Claude Akins as the fierce, hot-tempered Hooker, John Marley as a wily and rascally old man, and Wayde Preston as the vengeful Sheriff Ripley. Luigi Kuveiller's sharp widescreen cinematography makes striking use of artful fades and elaborate dissolves. Gianni Ferrio's twangy'n'lively score does the rousing tuneful trick. The surprise downbeat ending packs a wickedly potent punch. A very good and gutsy movie.

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