★ 7 / 10
Betty" (Béatrice Dalle) and "Zorg" (Jean-Hugues Anglade) live
CinemaSerf
"Betty" (Béatrice Dalle) and "Zorg" (Jean-Hugues Anglade) live a happy-go-lucky life au bord de la mer. Their utopian existence is thrown into chaos by her…
"Betty" (Béatrice Dalle) and "Zorg" (Jean-Hugues Anglade) live a happy-go-lucky life au bord de la mer. Their utopian existence is thrown into chaos by her relationship with his demanding boss who needs all of their bungalows painted in return for the rent to be waived. She then proceeds to throw one of the best strops in cinema before they head off to stay with one of her friends whose boyfriend has just inherited a piano store and that's where our loveable duo end up. They still have their heads in the clouds and when they are not walking around naked, or having sex, or drinking wine - he is supposed to be writing a book. Ha! Fat chance - especially as we almost imperceptibly, at first, begin to realise that "Betty" is becoming unwell. Her grasp of things isn't what it was and her character changes into something poor old "Zorg" struggles to reconcile with - despite his undying love for her. We are seeing things from both perspectives here and that's where the film comes alive. Their respective rationales become ambiguous, their behaviour more erratic - indeed their whole way of life that has been so successfully unstructured thus far might now be the very thing that's making things difficult, maybe even impossible, as the denouement threatens tragedy. There's a great deal of nudity but after about five minutes that is, as so often happens in European cinema, subsumed into a story that is characterful and strong. It does suggest love, lust and joy, but latterly it begins to suggest something else - a vulnerability. It's a bit on the long side but by half an hour in, Dalle has managed to hook the audience and maybe because of them or maybe despite them, I felt that I wanted something good for them. Happiness, contentment, love - all things that prove tantalisingly out of their reach. Can they attain something fulfilling? It mixes the light and fluffy with the intriguing and occasionally quite thought-provoking, and shows us both sides of a coin of helplessness that's quite poignant at times to watch.
★ 8 / 10
From the height of happiness to its depths.
keng5
This is a heartbreakingly tragic film centred around Betty, (Beatrice Dalle) a beautiful but unstable young woman, whose instability - or madness - becomes…
This is a heartbreakingly tragic film centred around Betty, (Beatrice Dalle) a beautiful but unstable young woman, whose instability - or madness - becomes progressively worse throughout the film. In the beginning we think she is just an admirably rebellious and fiery person who is over-sensitive to slight and imagined insult. Later she is engulfed by these irrational and self-destructive bouts of hysteria for no perceptible reason. But this happens only occasionally; between times she behaves like a perfectly normal and happy person, as she has every reason to be. It is easy to become impatient with her. She keeps saying she has nothing to live for, that nothing she has ever done has worked out right, but how can this be when she is so much better off than so many millions of others, with beauty, two good friends and a good man who loves her to distraction despite everything? And she loves him in return.
Zorg (Jean-Hughes Anglalde) is an aspiring novelist with a novel in manuscript he has given up all hope of ever seeing published. But she believes in him and, using only two fingers, types out the manuscript with painful slowness, and, with an heroic persistence, continues sending it out to the publishers despite receiving a steady stream of rejection slips. And here-in lies the tragedy ; at the end of the film, when she is dead to the world and past caring, her efforts bear fruit and the manuscript is accepted. How happy knowing this would have made her. But too late.
We leave him alone in his kitchen about to start a new novel, a novel that she will never see, leading to a success and prosperity she will have no share in. My God isn't that sad? "What might have been." the saddest words in the English language.
The pain lies in imagining the long and happy life they might have had together, but for this thing that mad people have, whatever it is, gnawing away inside her mind. No explanation is attempted of why she was the way she was, no revelation of some childhood trauma or of some past bitter experience. We are left to assume that she had some brain or genetic defect. Nor are we given any psychiatric diagnoses. It is mentioned at one point that she is neurotic, but then aren't we all? She mentions hearing voices in her head which is the classic symptom of Schizophrenia, but her other behaviour doesn't fit the pattern. Nor does her behaviour fit the pattern of the Manic- depressive. who, surely, is subject only to mood-swings not to sudden and violently wild outburst of behaviour. So we are left to ponder the nature of madness. It makes you think and it's all interesting stuff.
This is a long film, but with a wealth of interest and by no means depressing; there are many happy sequences and funny moments, and the acting is uniformly excellent.
78%
TOMATOMETER
· 27 reviews
90%
AUDIENCE
· 10K ratings
7.3/10
24.3K
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This movie sparked my interests in French cinema when I first saw it around 11 years old.