★ 4 / 10
**_Great filmmaking, cast and locations, but strangely inert
Wuchak
**_Great filmmaking, cast and locations, but strangely inert (overlong) story_** Released in late 2016 and directed by Martin Scorsese based on the novel by…
**_Great filmmaking, cast and locations, but strangely inert (overlong) story_**
Released in late 2016 and directed by Martin Scorsese based on the novel by Shûsaku Endô, "Silence" chronicles events in 1640 when two Jesuit priests (Andrew Garfield & Adam Driver) journey to Japan to check on the persecuted church and find out what happened to their mentor, whom it is rumored fell from the faith (Liam Neeson). Issei Ogata is on hand as the sadistic, but seemingly reasonable Japanese inquisitor.
The Jesuits were a society of Catholic missionaries started in 1540 in response to the spreading evangelism of the Protestant reformers. They were an essential part of the Roman counter-Reformation. With this in mind, the seeming Christianity portrayed in the movie is decidedly Catholic in nature, with the requisite unbiblical stuff, like confessions to priests, icons, rosary beads, etc.
In tone and theme, "Silence" is reminiscent of movies like the excellent "Black Robe" (1991), the solid "The Mission" (1986) and the surprisingly great "Black Death" (see my review). There are also elements of "The Bridge on the River Kwai" (1957). If you appreciate any of these films you might appreciate "Silence," but it didn't work for me. Sure, Scorsese is a great auteur and so the filmmaking is top-of-the-line – the cinematography, the cast, the costuming, locations and score. Unfortunately, the story's not compelling and I never connected with the main character, despite Garfield's quality performance.
There's some worthy mindfood (or spiritfood) to glean from the proceedings, however, like: Why does God allow the excruciating persecution of His faithful? Why is He silent? IS He silent? Can a believer be restored after cowardly denying the Lord in the face of torture/death? Can a Christian hide their faith while living in a thoroughly hostile culture? But I didn't buy for a second that the Japanese couldn't conceive of a Deity that transcends physical nature, like the sun, sea or mountain. While the idea may have been alien to their communal mindset at the time, it's absurd to think that no individual man or woman could discern the obvious (see Psalm 19:1 & Romans 1:20).
Although I'm sorta glad I saw it, "Silence" is curiously dull and overlong; and so I never care to see it again. There are far superior movies that tackle similar topics. Those who give it the highest possible rating must be fanatical devotees of Scorsese.
The movie runs 161 minutes and was shot in Taiwan and the Cathedral Of Saint Paul In Macau, China.
GRADE: C-
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★ 6 / 10
Well-crafted but painfully slow and long
adamonIMDb
'Silence' is exactly what you would expect from a Martin Scorsese film in that it is well-produced, written and shot with a strong storyline and engaging lead…
'Silence' is exactly what you would expect from a Martin Scorsese film in that it is well-produced, written and shot with a strong storyline and engaging lead characters. There aren't many films that explore religion and faith as deeply as this one and there's no doubt that it is an intellectual, thought-provoking piece that Scorsese has created. It's also visually stunning - as a piece of filmmaking 'Silence' is difficult to fault.
It is, however, very easy to fault as a piece of entertainment. For all its technical merit, the truth is that this is an overly long, tediously slow and largely dull film that the average viewer will struggle to sit through. The pacing does it no favours and the near three-hour running length is excessive to say the least. It could have been condensed to closer to the two-hour mark without losing much at all from the storyline.
'Silence' is obviously more likely to appeal to those with religious/spiritual beliefs, and they would probably get a lot more out of this film than I did. A well-crafted film, but rather dull and unrewarding for the average viewer.
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★ 8 / 10
Will take some time to process
artmania90
There's a reasonable argument to say that SILENCE is one of Martin Scorsese's better movies. The talk is that it was a passion project of his for decades…
There's a reasonable argument to say that SILENCE is one of Martin Scorsese's better movies. The talk is that it was a passion project of his for decades, finally being released in all it's artistic endeavors and mysteries. I suppose someone else could argue the opposite: that this is a story full of brutality and despair without the signature style of the aged director. I think I'm falling right on the middle on this one. This is surely one of the year's most powerful stories, and yet I have to admit it left me cold.
The story follows two priests from Portugal (Andrew Garfield and Adam Driver) who venture into hostile Japanese country in search of their mentor, Father Ferreira (Liam Neeson), who has abandoned his Christian faith. Some chalk it up to mere rumors. These two young ministers take the journey to find out for themselves.
What begins as a fairly traditional story ventures into the heart of Japan in the 16th Century with a sharp attention to both detail and horror. This is less a story of a search for one man as it is an odyssey into the despair found in conflicting religious beliefs. Father Rodrigues (Andrew Garfield) holds hope that Ferreira is alive while also working to convert as many locals under cover of darkness. Upon landing on the shores of Japan (smuggled in on small fishing boats from China), he encounters villages of faithful Christians who worship in secret. For them, the arrival of Rodrigues and Father Garupe (Driver) is confirmation of their beliefs. Through language barriers, it seems that God is always present.
As we delve further into the country towards Nagasaki (where Ferreira is said to be held), the two priest break off on separate journeys. Rodrigues, though oftentimes alone, is shadowed by a Japanese recluse named Kichijiro, a drunk who once betrayed his faith in order to spare his life (he witnessed the execution of his entire family) but returns to the faith time again in order to make Confession and amends with the Lord. Rodrigues continues to absolve him, and yet this is the slow unraveling of an aspect of this story: do the Japanese really comprehend the religion in the same way Westerners do?
There are three people who make this movie better than average: Andrew Garfield surely gives one of the year's best performances as a man trapped in his own personal Hell, forced to grapple between martyrdom and eternal damnation. It's a strong year for Garfield, getting accolades and Oscar buzz for his other leading role in 'Hacksaw Ridge.' Trust me, this is the better performance. Second is the skill of Martin Scorsese, who slowly paints a portrait of a time long forgot with such attention to tone. It's a horrifying and at times morbid story to sit through, but there was never a moment I found myself any less than fully-focused and contemplative.
Third is a surprise, a breakthrough performance by a Japanese actor named Issey Ogata who gives without a doubt one of the year's most memorable performances. Throughout the film the Christians living in Japan are routinely inspected by samurai officials who intend to hunt down and capture any found citizens in violation of the law. One such official is Inoue Masashige (Ogata) who treats the job with a certain flair. Constantly waving a fan and with an ear to ear smile, this is a performance that steps above the rest of the cast by perfectly encapsulating the braggadocious nature of Japanese law without missing a beat. It's a winking devil performance that I hope the Oscars won't look over.
'Silence' is at times hard to palpate and yet rewards the audience for it's patience. Whether or not this film can be interpreted as being pro or anti-Catholic is maybe not the ultimate message of this film. While the final act delves into a horrifyingly-dark arena, consider the final shot before the credits begin to role (I won't spoil it). In such a brutal era with antiquated customs, isn't there still hope left to be found?
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83%
TOMATOMETER
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7.2/10
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So funny that people are complaining about the pacing and lack of action in a film LITERALLY called "Silence"